(click on photos to enlarge image)
MARKS OF EUROPEAN SILVER PLATE:
VII. GALLIA, MANUFACTURE DE L'ALFENIDE/CHRISTOFLE, FRANCE
Being a keen collector of silver-plated articles made by the
famous French foundry Christofle, I ignored the items made from
Gallia metal until the day when I purchased at an Internet auction a marvellous Art Nouveau piece, probably a butter container,
consisting of the base and its cover. The glass inset was
missing, but I put instead a black cardboard band inside the base
that allowed me to assemble the piece and to enjoy its beauty.
A silver-plated butter dish made from Gallia metal between 1900 and 1908. Model 4369 |
The literature information about Gallia is scarce and often
misleading. As an example, I can mention the article "Christofle:
Marks & History" on the famous web page "Online Encyclopedia of
Silver Marks, Hallmarks and Makers' Marks", where the marks for
Christofle silver-plated Alpacca-based hollow ware,
silver-plated Alpacca-based cutlery and silver-plated
Gallia-based items are mixed together and their dating is often
incorrect. It should be noted that Christofle used for the
Alpacca alloy its own trade mark Métal Blanc (White Metal). The
author of the above-mentioned article (under the pen-name
"2209patrick") wrote that in November 2007 he contacted the
curator of the Musée (Museum) Bouilhet-Christofle in Paris about
the precise dating of some marks and is still waiting for an
answer. This Museum was closed in November 2008 and that
probably was the reason why this web page was never updated.
The first Gallia products were proposed at the end of the XIX.
century by Manufacture de L'Alfénide (Alfenide Foundry, where
Alfenide is simply another brand name for Alpaca or Neusilber), which was belonged to
Christofle since 1888. However, rather than integrating this
acquisition, Christofle allowed it to continue trading under its
own brand as a separate entity. An experienced French goldsmith,
Félix Chéron, was invited to manage the Alfenide factory. Later
he was commissioned to create a new line of cheap tin-based
silver-plated products. The idea was that such a new enterprise
was rather risky for Christofle, who at that time dominated on
the French market of luxury silver-plated products, and it was
decided to introduce the new product under the name of Alfenide.
Therefore, on all newly-produced Gallia items the
Alfenide mark for silver-plating, a profile of a goat inside a
rhombus in a square box, was used. However, once the production
proved to be successful, the Alfenide mark on Gallia objects
disappeared and instead the Christofle mark for silver-plating
was used.
A mark for silver-plating, taken from the cover of the catalogue,
issued by Manufacture de L'Alfénide in 1891. Interestingly, the
design of this mark for silver-plating was used later by WMF
for the construction of its famous "ostrich" mark. |
Gallia is the brand name of the copper-tin
alloy, which had been patented by Félix Chéron as early as in 1896.
The exact chemical
content of this alloy is unknown, but it probably contained also
antimony and bismuth. The items made of this alloy could be
produced directly by casting and used for the creation of more
sophisticated relief or more sculptural forms than those based
on Alpacca. Using electroplating, it was possible to cover this
alloy with silver; however, the quality of a silver coating put
on Gallia was lower than that put on Alpacca (Métal Blanc). Félix
Chéron immediately used this newly invented alloy for the
production of a small series of highly decorative items, often
made by distinguished artists and designers. The main purpose of
the Gallia line was to satisfy the market with cheaper products
and simultaneously to follow the current art tendencies. It is
remarkable that nowadays on the world antiques market these
"cheap" silver plate items are sold at 3-10 times higher prices
than "luxury" Christofle products of the same period. The
production continued for seventy years, though the artistic
quality of the Gallia items had declined significantly by 1940.
In 1902, Félix Chéron retired and the position at the head of
Alfénide/Gallia was filled by Henri Harleux, an engineer from
the Ecole Centrale de Paris. He continued the policy of Gallia
brand development. In 1916, under a major reorganization of
Christofle, Harleux established a workshop for Gallia production
in the Christofle factory at Saint-Denis, north of Paris. This
was an independent unit under Harleux's direction, which did not
have to report to the Saint-Denis management. This unit survived
until 1933, when Gallia totally lost its autonomy inside
Christofle.
It should be noted, that the name of Gallia alloy looks similar
to the old Latin name of the France province in the Roman Empire
(Gallia or Gaulle in French). According to the information found
on the Internet, the name GALLIA can mean simply the
abbreviation of "GALvanoplastie alLIAge" (electroplating alloy).
In any case, the marks for Gallia metal items used in the first
thirty years of production were based on the profile of the
famous "coq gaullois" (Gallic cock).
As it is well known, each silver-plated Alpacca-based hollowware
Christofle item, produced in 1863-1928, had its own ordinal
number, running from 1 up to 3000000. On the contrary, the
silver-plated products, based on Gallia metal, had no ordinal
number, but instead during 1900-1935 were obligatorily marked by
the model number. From the beginning, these model numbers were
running from about 4100 until about 6100 (I have in my
collection pieces with model numbers from 4113 to 6098). Later,
at the end of the twenties a new numeration was started, from
about 0100 to at least 0462. So, if you come across a Gallia
item with the model number say 1200 or 12000, you can be sure
that it is a fake! After 1935, the model number mark was not
obligatory any more and soon it disappeared completely.
Some Gallia items from my collection:
first row: (left) a creamer, model 4204, made
in 1900-1908; (right) a dish, model 4724, made in 1900-1908;
second row: (left) an Art Nouveau flower vase,
model 5740, made in 1916-1921; (right) an Art
Deco trophy vase,
standing on a marble basement, model 5451, made c.1928;
third row: (left) a fruit-dish, model 5791,
made in 1921-1930; (right) a salt cellar,
model 5988, made in 1930-1935. |
I have in my collection about four dozen of silver-plated
Gallia items, their marks are presented below. Though some
Gallia silver plate marks were described earlier (see the
references given below), I am happy to present here a full and
systematized description that, to the best of my knowledge, has
never been done before.
Marks for items with "GALLIA METAL" inscription (c.1900-1908)
N° |
MARK |
COMMENT |
1
|
|
The first Gallia mark consists of three parts: 1) The mark for Gallia base metal which looks like a coat of arms with a Gallic cock inside and the inscription below "GALLIA METAL", the size of the "coat of arms" is 2.8-4.8 mm (along the vertical axis of symmetry) by 2.7-4.3 mm (along the horizontal axis drawn through the "fat" lower part); 2) The Manufacture de L'Alfenide mark for silver-plating, which is the head of a goat (tête de bouc) placed in a rhombus in a hatched rectangle. The size of the latter is varying between 1.6 mm x 1.6 mm and 2.6 mm x 2.6 mm; 3) The model number which could be any number between 4100 and 6100. Rare.
|
2
|
|
The next Gallia mark is the so-called "small mark", which was used in the case of the shortage of space for marking. It consists of three parts: 1) The mark for Gallia
base metal which looks like a coat of arms with a Gallic cock inside, the size of the "coat of arms" is 3.4 mm (along the vertical axis of symmetry) by 2.9 mm (along the
horizontal axis drawn through the "fat" lower part); 2) The inscription "GALLIA METAL" placed to the left and to the right of the "coat of arms",
sometimes below it. The word GALLIA is given in "sans serif" font. The length of the word GALLIA is 8.0 mm, the ratio of the length of GALLIA word to its height is 6.5-7.0;
3) The Manufacture de L'Alfenide mark for silver-plating, which is the head of a goat (tête de bouc) placed in a rhombus in a hatched rectangle. The size of the latter is 2.5 mm x 2.5 mm.
Very rare.
|
3
|
|
The third Gallia mark is similar to the first one but displays a better-drawn cock profile. The size of the "coat of arms" is 3.2-4.6 mm (along the vertical axis of
symmetry) by 2.9-4.3 mm (along the horizontal axis drawn through the "fat" lower part). The size of the Manufacture de L'Alfenide mark for silver-plating with the goat head is varying between 2.5 mm x 2.5 mm and 2.6 mm x 2.7 mm. A model number is also present. Common.
|
4
|
|
The next Gallia mark is again the so-called "small mark", which was used in the case of the shortage of space for marking. It consists of three parts: 1) The inscription
"GALLIA METAL" placed to the left of Manufacture de L'Alfenide mark. The inscription is given in "sans serif" font. The length of the word GALLIA is 3.4 mm, the
ratio of the length of GALLIA word to its height is 4.8; 2) The model number; 3)The Manufacture de L'Alfenide mark for silver-plating, which is the head of a goat (tête de bouc)
placed in a rhombus in a hatched rectangle. The size of the latter is 2.5 mm x 2.6 mm. Very rare.
|
Marks for the items with "ORFEVRERIE GALLIA" (or "O.GALLIA") inscription (c.1908-c.1931)
Mark for the items with "O.GALLIA" inscription together with Christofle lined mark for silver-plating (c.1931-c.1935)
N° |
MARK |
COMMENT |
9
|
|
The next Gallia mark used in the period c.1931-c.1935 contains an inscription "O.GALLIA" together with the third Christofle lined mark for silver-plating, see my last
article on ascasonline.org. The word GALLIA is given in "sans serif" font. The length of the word GALLIA is 4.1-4.3 mm, the ratio of the length of GALLIA word to its height
is 4.4-5.3. The size of the rectangular mark for silver-plating is between 1.4 mm x 1.4 mm and 1.6 mm x 1.7 mm, while the oval size varies between 1.0 mm x 1.4 mm and 1.2 mm x 1.7 mm.
Rather common.
|
Marks for the items with "GALLIA" and "COLLECTION GALLIA" inscriptions (c.1935-c.1975)
N° |
MARK |
COMMENT |
10
|
|
This mark, issued from 1935, uses for the designation of
Gallia base metal a simple inscription "GALLIA". To indicate the silver-plating, a new mark was
introduced, namely, the "knight" chess figure in a
square box between two letters "O" and "C" (which is the
abbreviation of the two words "ORFÈVRERIE CHRISTOFLE").
Since 1935, all Gallia marks bear this obligatory sign. Hence the disappearance
of the "O" letter before the word "GALLIA" (cf. "O.GALLIA"
inscription in marks No.7-9) is clear: from now on there is only one silversmith foundry.
The word GALLIA is given in "sans serif" font. The length of the word GALLIA is
4.6 mm, the ratio of the length of GALLIA word to its height is
5.3. The size of the mark for silver plating with a "knight"
chess figure is about 1.6 x 1.9 mm.
|
11
|
|
This Gallia mark again returns to a Gallic cock
image given together with separate inscription "GALLIA".
The word GALLIA is given in "sans serif" font. The size of a rectangle with a cock profile
is varying between 1.7 mm x 2.4 mm and 2.2 mm x 3.1 mm. The length of the word GALLIA is 4.6-6.3 mm,
the ratio of the length of GALLIA word to its height is 4.4-6.9. Again, as in mark No.10, to indicate the
silver-plating, a mark with a "knight" chess figure between two letters "O" and "C"
in a square box is used. The size of the mark for silver plating with a "knight" chess figure is
varying between 1.8 mm x 1.8 mm and 1.9 mm x 2.0 mm. Common.
|
12
|
|
Contrary to mark No.11, the box for a cock image is joined to the box for the GALLIA inscription (no boundary!) and the word GALLIA is given in "serif" font.
All other inscriptions: "FRANCE" and "PROD. CHRISTOFLE" (which means Production Christofle both in French and in English) are given in "sans serif"
font. The size of the rectangle with a cock profile is varying between 1.8 mm x 2.0 mm and 1.9 mm x 2.1 mm. The length of the word GALLIA inside this inscription is 4.9-5.0 mm,
the ratio of the length of GALLIA word to its height is 5.2-5.3. Again, as in previous marks Nos.10-11, a mark with a "knight" chess figure between two letters
"O" and "C" in a square box is used to indicate the silver-plating. The size of the mark for silver-plating with a "knight" chess figure is
varying between 1.9 mm x 2.2 mm and 2.2 mm x 2.2 mm. Common.
|
13
|
|
A version of the previous mark without the cock
image. The word GALLIA is given in "serif" font. All
other inscriptions: "FRANCE" and "PROD. CHRISTOFLE"
(which means Production Christofle both in French and in English) are given in "sans serif" font. The length of
the word GALLIA is 4.5-4.8 mm, the ratio of the length
of GALLIA word to its height is 5.0-5.7.
The size of the mark for silver-plating with a "knight"
chess figure is around 2.0 x 2.2 mm. Sometimes the
designation of the silver content (the amount of silver
used for plating in grams, the so-called marque de grammage,
given in square box/boxes) is used.
Note: Some pieces, issued in Italy, bear the inscription "ITALY" instead of "FRANCE".
|
14
|
|
The next Gallia mark uses the inscription "COLLECTION
GALLIA", given in "sans serif" font, while the words
"CHRISTOFLE" and "FRANCE" are given in "serif" font. The
length of the word GALLIA is 4.4 mm, the ratio of the
length of GALLIA word to its height is 4.4. The size of
the mark for silver-plating with a "knight" chess figure
is 2.2 x 2.2 mm.
|
15
|
|
Contrary to the previous Gallia mark, the mark No.15
uses the inscription "COLL. GALLIA" (which means
Collection Gallia), given in "serif" font and the words
"CHRISTOFLE" and "FRANCE", given in "sans serif" font.
The length of the word GALLIA is 2.7 mm, the ratio of
the length of GALLIA word to its height is 4.3. The size
of the mark for silver-plating with a "knight" chess
figure is varying between 2.1 mm x 2.1 mm and 2.2 mm x 2.2 mm. Common.
|
I am indebted to Professor Marc de Ferrière le Vayer for
giving me the opportunity to study his unpublished paper on the
Gallia brand history and for numerous discussions that followed. I
also would like to thank Giorgio Busetto for his continuous
cooperation and Jayne Dye for her careful reading of my manuscript.
LITERATURE
1. Tarif Général, Manufacture de L'Alfénide, F. Chéron & Cie,
Paris, 1891. [In French].
2. Tarif Special Orfévrerie Argentée & Dorée en "Gallia Metal"
Etain Durci, Marque & Modéles Déposés, Manufacture de L'Alfénide,
66, rue des Marais, Paris, 1900, pp.1-24. [In French].
3. Tarif Special d'Orfèvrerie d'Etain Argenté et Doré marque GALLIA METAL, Paris, 1904,
pp.1-24. [In French].
4. Orfèvrerie Gallia, Manufacture de L'Alfénide, 66, rue des
Marais, Paris, circa 1910, pp.1-62. [In French].
5. Orfèvrerie Gallia, Manufacture de L'Alfénide, 66, rue des Marais, Paris, 1921, pp.1-131. [In French].
6. Orfèvrerie Gallia, Catalogue Général, 1929, pp.1-79. [In
French]
7. Marc de Ferrière, Christofle: 150 ans d'Art et de Rève.
Dossier de l'Art, No.2, pp.3-73 (1991), [in French].
8. Marc de Ferrière le Vayer, Histoire de L'Orfévrerie Gallia.
[In French]
9. Online Encyclopedia of Silver Marks, Hallmarks and Makers'
Marks, http://www.925-1000.com/a_christofle.html
10. David N. Nikogosyan, An unknown mark for silver-plated hollow
ware used by Christofle in 1930-1935,
http://www.ascasonline.org/articologiugni130.html
Dr. David N. Nikogosyan - 2013 -
further information and marks CHRISTOFLE, VEUVE CHARLES HALPHEN, GOMBAULT-DESCLERCS & MANUFACTURE DE L'ALFÉNIDE
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